6-7 November 2025
Nederlands Interuniversitair Kunsthistorisch Instituut (NIKI), Florence, Italy
How can art historians explore, understand, or even ‘feel’ the material evidence of the past? How can we approach the problem of historical distance, of our anachronistic nostalgia and our intellectual desire for pre-modern periods and artefacts? Can we inhabit the time of past artworks, or do artworks constantly re-construct their own times? What role do contemporary concerns play in our interpretations of the ancient, medieval, and early modern periods? Numerous recent publications have explored the study of the past through different lenses. They have complicated the idea of ‘historical contexts’ by showing the ability of artworks to simultaneously refer to various time periods. They have also encouraged cross-temporal and sometimes ahistorical interpretations of premodern artefacts in the light of modern theories and concerns. This conference will bridge the ‘historicist’ and ‘anachronist’ camp in an attempt to theorise the thorny issue of time which sits at the core of both history and art history. The conference is organised in celebration of the scholarship of Prof. Gervase Rosser and in honour of his retirement from the University of Oxford. It particularly celebrates Prof. Rosser’s prominence as both historian and art historian and his inspirational interrogation of both disciplines.
