The Department of History of Art : All Pages

• Home
• Copyright
• Picture Credits
• Privacy Statement
• Accessibility Statement
• Oxford Mosaic Accessibility Statement
• Oxford Mosaic Privacy Statement
• About the Department
• People
• Undergraduate Admissions
• Graduate Admissions
• Contact Information
• Museums and Libraries
• News
• Events
• Academic and Admin Staff
• Associated Academics
• Academic Visitors
• Doctoral Students
• Alumni
• Programme Overview
• Suggested Reading
• Guidance for Applicants
• First Year (Prelims)
• Second Year (Final Honours)
• Third Year (Final Honours)
• Qualifications
• UCAS Form
• Written Work
• Selection Criteria
• Written Work Criteria
• Interviewing Criteria
• Mature Applicants
• Interviews
• Master's Degree
• Research Degrees
• Funding
• Graduate FAQs
• The History of HoA at Oxford
• Centre for Visual Studies
• Visual Resources Centre
• Lee Johnson Archive
• Open Days
• Undergraduate FAQs
• Professor Craig Clunas
• Professor Hanneke Grootenboer
• Professor Geraldine A. Johnson
• Dr Jennifer Johnson
• Professor Gervase Rosser
• Professor Alastair Wright
• David Pepper
• Francesca Issatt
• Professor Edgar Wind
• Professor Francis Haskell
• Professor Martin Kemp
• Professor Larry J. Schaaf
• Dr Linda Whiteley
• Prospective Academic Visitors
• Careers
• Dayeon Oh
• History of Art Department Research Fund
• Colleges
• Alessia Pannese
• Ang Li
• Eleanor Townsend
• Emily Knight
• Helena Guzik
• Sajda van der Leeuw
• Sylvia Alvares-Correa
• Dr John R. Blakinger
• Contact Consent
• History of Art Weekly Events – Contact Consent
• Professor Amy M. Mooney
• Francesca Kaes
• Gloria Boeri
• Rachel Coombes
• Aleksandra Rutkowska
• Penelope Lane
• Adolphe Braun Sistine Chapel Collection
• Dr Ingrid Ciulisová
• The Making of an Image Problem
• Photo Archives VI
• Melt Value
• Jacopo da Pontormo and the Curious Case of the Black Duke's Daughter
• Challenging to Art History: Charlotte Salomon 1917-43 or CS, A Nameless Artist in the Theatre of Memory and War
• Mimesis and Magic: The Lives of Images Revisited
• Regulating the Gaze in the Medieval Mosque
• Beyond Enlightenment? Towards a Conclusion
• Warhol in Safariland
• The Body of Emmett Till
• Dismantling the Gallows
• The Stones of Civil War
• Professorship of the History of Art
• June and Simon Li Associate Professorship In The History Of Chinese Art
• Collaborations and Confrontations in Art and Science
• Professor Geoffrey Batchen
• Professor J P Park
• Professor Sigrid Lien
• Student Resources
• Slade Lectures
• Nuns’ Dust: The Materiality of Northern German Devotional Production
• Replication, Repetition, Rupture: Temporalities of Eighteenth-Century Printmaking
• Records of Choices: Photographic Encounters in the Archive
• Francis Bacon, David Hockney, and Queer Orientalism
• The Conditional Image: Indenture and Photographic Memory
• Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art
• The Sadean Imagination: The Marquis de Sade and the Avant-Garde
• The Sensory Politics of an Early Modern Venetian Town