The Department of History of Art : All Pages
- Home
- Copyright
- Picture Credits
- Privacy Statement
- Accessibility Statement
- Oxford Mosaic Accessibility Statement
- Oxford Mosaic Privacy Statement
- About the Department
- People
- Undergraduate Admissions
- Graduate Admissions
- Contact Information
- Museums and Libraries
- News
- Events
- Academic and Admin Staff
- Associated Academics
- Academic Visitors
- Doctoral Students
- Alumni
- Programme Overview
- Suggested Reading
- Guidance for Applicants
- First Year (Prelims)
- Second Year (Final Honours)
- Third Year (Final Honours)
- Qualifications
- UCAS Form
- Written Work
- Selection Criteria
- Written Work Criteria
- Interviewing Criteria
- Mature Applicants
- Interviews
- Master's Degree
- Research Degrees
- Funding Information
- FAQs
- Centre for Visual Studies
- Visual Resources Centre
- Lee Johnson Archive
- Open Days
- Undergraduate FAQs
- Professor Craig Clunas
- Professor Geraldine A. Johnson
- Dr Jennifer Johnson
- Professor Gervase Rosser
- Professor Alastair Wright
- Francesca Issatt
- Professor Edgar Wind
- Professor Francis Haskell
- Professor Martin Kemp
- Professor Larry J. Schaaf
- Dr Linda Whiteley
- Prospective Academic Visitors
- Dayeon Oh
- History of Art Department Research Fund
- Colleges
- Alessia Pannese
- Ang Li
- Eleanor Townsend
- Helena Guzik
- Sylvia Alvares-Correa
- Dr John R. Blakinger
- Contact Consent
- History of Art Weekly Events – Contact Consent
- Professor Amy M. Mooney
- Francesca Kaes
- Gloria Boeri
- Rachel Coombes
- Aleksandra Rutkowska
- Penelope Lane
- Adolphe Braun Sistine Chapel Collection
- Dr Ingrid Ciulisová
- The Making of an Image Problem
- Photo Archives VI
- Melt Value
- Jacopo da Pontormo and the Curious Case of the Black Duke's Daughter
- Challenging to Art History: Charlotte Salomon 1917-43 or CS, A Nameless Artist in the Theatre of Memory and War
- Mimesis and Magic: The Lives of Images Revisited
- Regulating the Gaze in the Medieval Mosque
- Beyond Enlightenment? Towards a Conclusion
- Warhol in Safariland
- The Body of Emmett Till
- Dismantling the Gallows
- The Stones of Civil War
- Professorship of the History of Art
- June and Simon Li Associate Professorship In The History Of Chinese Art
- Collaborations and Confrontations in Art and Science
- Professor Geoffrey Batchen
- Professor J.P. Park
- Professor Sigrid Lien
- Student Resources
- Slade Lectures
- Nuns’ Dust: The Materiality of Northern German Devotional Production
- Replication, Repetition, Rupture: Temporalities of Eighteenth-Century Printmaking
- Records of Choices: Photographic Encounters in the Archive
- Francis Bacon, David Hockney, and Queer Orientalism
- The Conditional Image: Indenture and Photographic Memory
- Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art
- The Sadean Imagination: The Marquis de Sade and the Avant-Garde
- The Sensory Politics of an Early Modern Venetian Town
- The History of the Slade Professors
- Previous Slade Podcasts
- Past Slade Lectures
- Laurence Binyon Prize 2020
- Anna Espínola Lynn
- Olena Chervonik
- Waddesdon Internship 2020
- Anya Perse
- Portraits of Members of Washington Intercollegiate Club, Professor Amy Mooney
- Image as Object: A Daguerreotype, Professor Geoffrey Batchen
- No Image & No Object, Professor J.P Park
- Art at Home: A Bernard Leach Print, Dr. John Blakinger
- From Memory: A Prunella Clough Painting, Dr. Jennifer Johnson
- TBC, Professor Alastair Wright
- TBC, Professor Gervase Rosser
- Image and Object: At Home Week 9
- Regarding the Portrait: The Primers
- Regarding the Portrait: The Photographers
- Regarding the Portrait: The Progressives
- Regarding the Portrait: The Pragmatists
- Oliver Hedges
- Professor Emily C. Burns