The Department of History of Art : All Pages

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• Centre for Visual Studies
• Visual Resources Centre
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• Professor Craig Clunas
• Professor Geraldine A. Johnson
• Professor Gervase Rosser
• Professor Alastair Wright
• Professor Edgar Wind
• Professor Francis Haskell
• Professor Martin Kemp
• Dr Linda Whiteley
• Prospective Academic Visitors
• Colleges
• Alessia Pannese
• Ang Li
• Eleanor Townsend
• Helena Guzik
• Sylvia Alvares-Correa
• Contact Consent
• History of Art Weekly Events – Contact Consent
• Francesca Kaes
• Gloria Boeri
• Rachel Coombes
• Aleksandra Rutkowska
• Penelope Lane
• Dr Ingrid Ciulisová
• The Making of an Image Problem
• Photo Archives VI
• Melt Value
• Jacopo da Pontormo and the Curious Case of the Black Duke's Daughter
• Challenging to Art History: Charlotte Salomon 1917-43 or CS, A Nameless Artist in the Theatre of Memory and War
• Mimesis and Magic: The Lives of Images Revisited
• Regulating the Gaze in the Medieval Mosque
• Beyond Enlightenment? Towards a Conclusion
• Warhol in Safariland
• The Body of Emmett Till
• Dismantling the Gallows
• The Stones of Civil War
• Professorship of the History of Art
• June and Simon Li Associate Professorship In The History Of Chinese Art
• Collaborations and Confrontations in Art and Science
• Professor Geoffrey Batchen
• Professor J.P. Park
• Professor Sigrid Lien
• Student Resources
• Slade Lectures
• Nuns’ Dust: The Materiality of Northern German Devotional Production
• Replication, Repetition, Rupture: Temporalities of Eighteenth-Century Printmaking
• Records of Choices: Photographic Encounters in the Archive
• Francis Bacon, David Hockney, and Queer Orientalism
• The Conditional Image: Indenture and Photographic Memory
• Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art
• The Sadean Imagination: The Marquis de Sade and the Avant-Garde
• The Sensory Politics of an Early Modern Venetian Town
• The History of the Slade Professors
• Previous Slade Podcasts
• Laurence Binyon Prize
• Anna Espínola Lynn
• Olena Chervonik
• Waddesdon Internship 2021
• Anya Perse
• Portraits of Members of Washington Intercollegiate Club, Professor Amy Mooney
• Image as Object: A Daguerreotype, Professor Geoffrey Batchen
• No Image & No Object, Professor J.P Park
• Art at Home: A Bernard Leach Print, Dr. John Blakinger
• From Memory: A Prunella Clough Painting, Dr. Jennifer Johnson
• The Singer, Professor Gervase Rosser
• Regarding the Portrait: The Primers
• Regarding the Portrait: The Photographers
• Regarding the Portrait: The Progressives
• Regarding the Portrait: The Pragmatists
• Position vacant
• Dr Costanza Beltrami
• Performing Innocence: Belated
• Performing Innocence: Puritan
• Performing Innocence: Primitive / Incipient
• Performing Innocence: Baby Nation
• An Agonistic History of Art
• The Great Mosque of Cordoba as Center and Periphery
• Babylon in Flames
• Mudejar and Romanesque. Romanesque and Islam
• The Virgin as Colonial Agent
• Hunting in the Borderlands: Conversions and Translations
• Terra Foundation for American Art Study Day 2021
• Image and Object Symposium 2021
• Professor Charlene Villaseñor Black
• Professor Cora Gilroy-Ware
• Dr Di Wang
• Dr Saul Nelson
• Xiangming Chen
• Dayeon Oh
• Minji Chun
• Helena Neimann Erikstrup
• Colette Bellingham-Kennedy
• Fionn Montell-Boyd
• Alexandra Solovyev
• Eunice Yu
• Podcasts
• Professor Christopher Reed
• Slade Lectures 2022: A Natural History of the Studio
• 2022 Terra Lectures in American Art: Decolonising Art History through Latinx Art
• 2022 Terra Lectures in American Art: Decolonising Art History through Latinx Art
• 2022 Terra Lectures in American Art: Decolonising Art History through Latinx Art
• 2022 Terra Lectures in American Art: Decolonising Art History through Latinx Art
• Image & Object 2022 Symposium
• History of Art Research Seminar Series TT 2022
• History of Art Research Seminar Series TT 2022
• History of Art Research Seminar Series TT 2022
• History of Art Research Seminar Series TT 2022
• Professional Staff
• Rethinking the Legacies of 1492
• Gothic Networks: Juan Guas in Fifteenth-Century Spain - Dr Costanza Beltrami
• Martin Kemp, Emeritus Professor, Curates Hockney in Cambridge
• Phillip Roberts, Curator of Photographs - new Bodleian Library post
• Ali Kazim: Suspended in Time
• Freud and China - new London exhibition
• 2022 Terra Lectures in American Art: Decolonising Art History through Latinx Art
• Dr Cecilia Grönberg, Research Associate for 2022
• Announcing the Terra Visiting Professor of American Art for 2022-2023
• Fotogratula Award - Dr Mette Sandbye, Research Associate
• Exhibiting Dante and the Divine Comedy in Oxford
• New Staff Appointment - Di Wang
• New Staff Appointment - Cora Gilroy-Ware
• Geoff Batchen - William Henry Fox Talbot Talk
• Visions of Heaven: Dante and the Art of Divine Light
• Professor Amy Mooney 2020 Events
• Geoff Batchen Online Events 2020
• Terra Foundation Visiting Professor for 2021-22
• The Terra Lectures in American Art 2021
• Architectural History Seminar 2021
• Geoff Batchen - Negative/Positive: A History of Photography
• Geoff Batchen - Apparitions: Photography and Dissemination
• A statement in response to Black Lives Matter
• J.P. Park 2020 Charles Rufus Morey Book Award
• 2022 Nikos Stangos Memorial Lecture
• Rethinking the legacies of 1492
• Jiaqi Kang
• Maximilian Leopold Langefeld
• Elena Lichmanova
• Kathleen Rawlings
• Connie Sjödin
• Katharine Waldron
• Professor Mallica Kumbera Landrus, Ashmolean Museum Oxford
• Staff Champion: Prof Jane Garnett (Associate Academic, History of Art)
• Decolonizing American Art
• Decolonizing American Art Roundtable
• Decolonizing American Art Roundtable
• First Ukrainian Translation of Barthes’ Camera Lucida
• Chika Okeke-Agulu confirmed as Slade Professor for 2022/23